- Characteristics
- Oral Poetry
- Heroic code
- Comitatus Bond
- Fatalism
- The beginning of Christianity
- Works
- [Core] Beowulf/Deor/The Dream of the Rood/ The Wanderer
*Norman Conquest
- Characteristics
- Chivalric code (*Heroic code vs Chivalric code)
- Courtly love
- Christianity
- Works
- [Core] Sir Gawain and the Green Knight/Canterbury Tales
- Characteristics
- Magic
- Reformation (1517 Martin Luthur defends his theses and started the reformation): Question of Church/religion
- Discovery of the world and man
- Renaissance woman: on pedestal, worshiped
- Works
- [Core] An Apology for Poetry/Hamlet/Macbeth/The Merchant of Venice
Charles II comes back and reclaimed the crown of England. Charles I was executed and Cromwell (Puritan, very conservative) ruled England.
- Characteristics
- Faith vs Rejection of Puritanism
- Comedy of Manners (Loosen part of morality)
- The coming back of theaters (women could play a part in dramas)
- Religious allegories and writing.
- Works
- [Core] Paradise Lost
(Classical Age/Augustan Age/ Age of Reason)
- Characteristics
- Satire
- Reveal Hypocrisy of upper-class
- Classicism
- Rebel against the exaggerated and fantastic style of writing, follow exact rules
- Age of reason
- Realism/Precision
- The rise of novels
- The age of Dryden-The age of Pope-The age of Johnson
- https://neoenglish.wordpress.com/2010/12/16/eighteenth-century-literature/
- Works
- [Core] The Rape of the Lock/Joseph Andrews
- Characteristics:
- Nature, sublime (divine revelation)
- Supernatural
- Focus on individual
- Imagination
- Emotion triumphs reason
- Focus on rural and real people
- The beginning of feminism
- Gothic
- Rebellion
- Revolution
- Works
- [Core] Wordsworth (4 works)/Pride and Prejudice
- Characteristics
- long novels, thickly plotted, huge cast of characters
- realistic
- Often portraying urban life
- industrial revolution happening
- very descriptive
- emotionally expressed
- crash between traditional life and modern life
- Works
- [Core] Wurthering Heights/Little Dorrit/In Memoriam
- Characteristics:
- Birth of narrator who can't be trusted (a combination of fiction and reality)
- Multiple subjectives
- Form reflects content
- Metanarrative
- Making it difficult
- Fragmentation
- Multidimensional
- Self-referrential
- Return of the repressed-woman, working class, religious, ethnic, and sexual perspectives
- Psychological depth and social disintegration/ambiguities: stream of consciousness
- Alienation: readers are no longer on the sidelines but experience the experiences of the protagonist
- Rebellion: High literature versus low literature
- Works
- [Core] Portrait of the Artist as a Young Man/ To the Lighthouse/WWI
- Characteristics
- Fragmentation/alienation
- Intertextuality
- Metafiction
- Britishness
- Looking Back
- Gender Roles
- Form reflects content
- Return of the repressed
- Works
- [Core] Rosencrantz and Guildenstern are Dead/White Teeth
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